Berlinale 2017, Day 6 (Kurzfilme Kplus 1)

The event I have been anticipating for weeks is to attend a screening of the Berlinale with O. I saw that it’s recommended for 4 year olds (the only screening recommended for this young age group), and I was pleased to see that, of course, there would be plenty of overly eager parents with their 2 and 3 year olds. After 2 1/2 Berlinales of leaving O with my parents so I could attend the screenings, I am finally able to share the experience with him, yay!

We spent a very calm morning, took a nap from 10.30am to almost 1pm and got to the venue almost 45 minutes early. In fact, we were able to get in first and snatch two of those booster seat cushions such that Oskar’s head was almost at my height and he could see very well despite sitting in the comparably deeper (but very comfortable) special seats that you normally pay an additional fee for. The seats were so big that O asked “Have to put on your seat belt?”

It’s embarrassing to think about it, but when the Berlinale opening sequence was playing, I teared up, that is how much it meant to me that I am finally able to show the Berlinale to O. Ever since, O recognizes the Berlinale logo on all of my Berlinale bags…

As expected, O loved the experience. This was his first time in a cinema theater ever, and I was afraid he would be scared of the movie theater becoming very dark. I warned him beforehand and he saw that all the kids around him were not scared either, so it went very well. It helps that all the films were short, so even though there were some that he didn’t like as much (the second and the second to last) he was fine because he was anticipating the next story.

By the way, I ended up kicking out all other short film screenings from my Berlinale schedule this year because I somehow felt more like watching feature films this time. I saw a bunch of great short films with Shii in Uppsala, and I had doubts the Berlinale selection could surpass that.

After the film, we did not stay for the Q&A because O’s German is not good enough for him to understand and enjoy it, but we were able to get some postcards stamped with the adorable stamps by the same lady as 2015. O loved those stamps so much that he declared her film as his favorite – sounds like her marketing machine is working even better than I expected.

Later on, O was very excited all evening and it took him awhile to get settled for sleep, so I ended up leaving much later for my evening screening than I anticipated.

drrt

Sabaku
Netherlands 2016, Marlies van der Wel, 3′

A bird loves to sit on top of other animal’s heads, but whenever he opens his mouth, a huge loud trumpeting sound comes out and chaos ensues. Finally he gets to meet an elephant with whom he becomes best friends and they trumpet together while the bird sits on his head.
The kids loved aforementioned ensuing chaos, and O liked that there were lots of animals involved, but he didn’t seem to find it as funny as the other kids. I thought the film was cute, and a nice allegory on how everybody can find a suitable friend.

Dziedošais Hugo un vi?a neticamie piedz?vojumi (Singing Hugo and His Incredible Adventures)
Latvia 2017, Reinis Kalnaellis, 9′

Hugo, a chicken in a chicken coop, dreams of becoming a big star but his singing disturbs the other chicken and gets him abducted by chicken thieves. He gets sold to various places, a crazy chase ensues and Hugo accidentally ends up at a circus performance where he finally fulfills his dream.
I thought the story itself was enjoyable and nice, but the character design is significantly less cute than for most of the other segments, so O was less into it. I doubt O was a big fan of the action (or the sleazy human characters) either.

Odd er et egg (Odd is an egg)
Norway/Portugal 2016, Kristin Ulseth, 12′

Odd is the child of chicken and his head is essentially an egg that may break and thus needs a lot of attention and care. As a result, Odd has no friends because he can never play along with their dangerous ball games and the likes. One day, he meets a girl who dresses up like a bee and whose free spirit inspires him to shake off his fears, and she becomes his first precious friend.
When I saw that the story would involve an outcast school-aged child, I was worried that O would think the topic to be boring. I was so wrong, because the story was mostly about Odd and Gunn becoming friends – and O loves that! Even though he understood relatively little about what was said in the dialogues, he grasped that this is a heart-warming tale of two children becoming friends and doing fun things together, and that made him happy. I thought it was adorable too, even if the premise and the ending are also a little silly.

1Minuutje natuur (1Minute of Nature)
Netherlands 2016, Stefanie Visjager/Katinka Baehr, 7′

The film consists of five little segments of children talking about something of their lives for one minute, with some matching animation using stick characters and real-life objects as backgrounds.
I was not too into the style and O didn’t get how the animation illustrated what has been said. This film is actually a little more advanced than the others, but without really saying that much if you ask me. It was OK.

Der kleine Vogel und die Raupe (The Little Bird and the Caterpillar)
Switzerland 2017, Lena von Döhren, 4′

The little bird from two years ago still cannot fly, and befriends a caterpillar in this story who helps him get away from the mean fox.
Just like last time, this was extremely cutely animated and it surely helps for O that it had no dialogue at all. It seems like the films about the little bird are favorites with the audience every time. As for me, I already forgot what happened in the story, but I am glad that O had a good time and treasures his stamped postcard so much that it’s now hanging on his wall.

Hedgehog’s Home
Canada/Croatia 2016, Eva Cvijanovic, 10′

The hedgehog lives in modest housing within the forest. One day, the fox invites him to his house and offers him to stay over, but the hedgehog still prefers to go home. It’s a little tale about how your own home is always the best.
This is a classical fable with lots of dialogue and the animation is often dark and a little intimidating looking, especially with a bear, a fox and a wolf as characters. No wonder O wasn’t too into it, even though I thought the story itself was actually fine.

Jazzoo
Sweden 2016, Adam Marko-Nord, 9′

In these ultra short segments, various animals are doing fun things accompanied by jazzy music.
To me, this was the most humorous part of all of them, O really liked the colorful animation and the animals that were involved (in fact, it seems like he had a dream concerning one of the segments afterwards and then claimed he saw it in the cinema), and we were both very into the music. Sadly the parts were also so short that the content was ultimately not very memorable, but even so I remember I found it to be one of the best and most entertaining short films in the selection.

Berlinale 2015, Day 9 (Kurzfilme Kplus 1)

Sunday in Berlin-Friedrichshain at 10.30am – needless to say that there were pooptons of children. This time it was not huge groups of school or kindergarten kids, but affluent and hipster looking parents trying to instill some culture into their children. The whole affair was quite loud, but it actually made the Q&A rather pleasant. As always, the children asked a lot of “why”-questions and most of them were really good. I really liked the answers given by Montoya who explained his film so well that I liked it more afterwards, and I was in love with the Iranian woman who appeared on-stage with a light headscarf and a very cutesy but elegant outfit. I was impressed by how child-like and thoughtful her answers were, though sometimes she overdid it a little bit (and the children actually did not believe her version of the world). On top of that, the lady from the first film had stamps with her film’s characters for the autograph session. The children were delighted and I thought that marketing scheme was brilliant.

drrt

Der kleine Vogel und das Eichhörnchen (The Little Bird and the Squirrel)
Switzerland 2014, Lena von Döhren, 5′

A short film about a bird and a squirrel fighting over something (food?) and then meeting a fox who tries to eat them. It looks utterly adorable and the kids laughed a lot, but I wasn’t a huge fan of the story itself. It seemed utterly pointless that the little bird couldn’t fly, and there was basically no point to the story except it had action that children like.

Camino del agua (Water Path)
Columbia 2014, Carlos Felipe Montoya, 8′

The story is really short – mother tells girl to go to a further away water source to fill up a bottle of water. She does so but on the way back a stranger with crutches asks her to give him water. She does so, but it turns out that the stranger lied to her and can actually walk just fine. She ends up filling up her bottle again at a pond, and a little fish gets caught in the water. I like how ambiguous the end is (we don’t know if she gets scolded, if the mother notices etc.) and especially how unclear the moral takeaway of the story is. Was her decision a “good” one?
Oh and how much I loved the little girl’s outfit! I was amazed at its cuteness. But I think all of these – ambivalent story, beautiful landscape, cute outfit – are things that little children don’t really care about. Only for adults like me it was truly fun.

The Tie
Belgium 2014, An Vrombaut, 7′
I think this one got an award for being visually impressive or something, but I thought it was remarkable that this was the only film I did not remember just from its title. It sure was beautifully rendered and features a cute idea, but its story was all but forgettable and I was not a huge fan of its style. But the children sure liked it.

Messages dans l’air (Air-Mail)
Switzerland/France 2014, Isabelle Favez, 6′

A cute little story and an awesome cat (see picture above! I loved the cat so much that I chose the picture for this blog post.) I doubt the children were very into it, but I certainly loved the style and enjoyed the sweet love story.

Agnes
Sweden 2014, Anja Lind, 15′

“Agnes” is the longest and one of the more meaningful stories in the bunch, about a 6-year old girl whose 16-year old brother is the most important person in her life. She experiences jealousy when he starts becoming alienated to her as he has a new girlfriend. But before it takes a real toll on their relationship, they reconcile. I didn’t fully get what was going on in their heads because it was all subtly hinted at, but I actually liked the way it was done.

Rosso Papavero
Slovak Republic 2014, Martin Smatana, 6′

A visually stunning dream sequence of a small boy who dreams of, well, a circus. The whole thing looked pretty surreal and the director actually said something about what it was supposed to mean, but I couldn’t understand his answer very well (sad!) One kid asked how those circus waggons could all disappear in a small tent, and his response was: “It’s a magic tent!” Cute.

Mahiye sorkh shodeh (The Fried Fish)
Iran 2014, Leila Khalilzadeh, 11′

Based on a Japanese children’s book, this is the story of a fish who gets caught, then fried but manages to escape being eaten. He offers a part of his body to animals who find him in exchange for taking him to the sea, but one by one they abandon him after eating his flesh. Ultimately quite a sad story, and I would have hated it as a kid. (What is the point of all this sadness?) I also was not a big fan of the animation which looked sloppily done. However, I really liked how it stirred up a lot of discussion with the children. (One of them complained that mice don’t eat fish hahaha.)