Dirty, dirty Bergman

drrt

Aus dem Leben der Marionetten

Hulu is now dictating what movies I watch. Every week they bring about 4 films which expire after roughly 16 days. In fact, “Aus dem Leben der Marionetten” has already expired, that was one of the films last week. Most weeks there would be 1 or 2 films I would not be interested in, but that still leaves 2-3 movies per week for me to watch. Considering that I am expecting to watch about 150 films this year, I will either watch many more films this year – or cut down on my Hulu consumption.

Recently, “Come and See” was shown in some arthouse cinema in Philadelphia. Another movie I have completely forgotten about but want to see! I wish it didn’t fall right into my final, so I ended up not seeing it. One day, one day…
There are too many things to see. In statistical learning, there is the so-called exploration-exploitation problem. When you try to learn about the many choices you can make, you want to explore (i.e. try out the other options) but also exploit what you have (i.e. find out more by trying the options you already know about). Movies are similar. On the one hand, I want to see new things, and Hulu’s method of “You will watch this movie now, and the simple incentive is that tomorrow this free movie is not free anymore” is working miraculously well on me. I almost always watch a great movie, and discover gems like “I Vitelloni”, “Knife in the Water” and “Branded to Kill” which I never would have otherwise. On the other hand, I am totally neglecting my favorite genres – Korean cinema, silent films, nouvelle vague, screwball comedies, contemporary films. What to do?

“Aus dem Leben der Marionetten” is, without a doubt, another one of those movies which I am thankful for. I knew that Bergman made a million movies (ok not really but 60 probably comes close), and not all of them were masterpieces. Similarly to Woody Allen there are some lesser films, and some which are undeservedly so. In the case of this film, I don’t see why, for instance, Cries and Whispers is more popular. “Marionetten” is a strange film, and it is heavily focused on some clichés between men and women, but I think that the film works as a great counterpart to “Scenes from a Marriage”.

At first, I wasn’t so sure if I would like the film. The first scenes were strangely reminiscent of “Persona” – just an overly shocking entrance scene. Then, the film proceeded to being kind of lame and strange, very cold and almost inexplicable. I wasn’t sure how to deal with those characters who all were almost on the verge of craziness. Later on, when we got to learn more about this craziness, I came to like them. Peter comes off as a little creepy in his monologues, but in the dialogue and interaction with Katarina, I thought that both of them become very true. Unlike Johan and Marianne in “Scenes from a Marriage”, these two are both very strong-minded and show their disdain for each other openly. Yet at the same time, these fights also seem to be the proof that they are bound to each other in some sort of love. If love is too strong, it is at least a passionate attraction to each other, resulting in some sort of love-hatred.

In many aspects this is not a typical Bergman. It’s much more erotic and much less Biedermeier than most of his other films, and the slightly strange speech of the German actors makes the German language be the most indicative of how different this film really is. It is almost like seeing an entirely new Bergman, yet the connections to his other films are clear.

“Marionetten” is no “Wild Strawberries” and there is a little part in me who is disappointed that this film does not compare to “Scenes from a Marriage”, but especially for a Bergman fan, this film is absolutely worth a look.

Finally, whenever a break is coming up, there are things I want to do. This is yet again not really going to be a “true” break, but I will try to make it such as much as possible. This year’s summer plans include:

  • Finish ME’s outfit of the day posts
  • Set up an anime and TV series viewing plan on weekly basis
  • Finish up anime in watching list and pick up 3 series which are on-hold
  • Get up to date with Mad Men
  • Watch all films on Shii’s 30 favorite movies list
  • Watch all Oscar-nominated films (except War Horse)
  • Watch at least 2 Woody Allen movies
  • Watch the recent films from this posting
  • Watch at least one more Godard, Truffaut, finish the rest of the Contes moraux
  • Take at least one good photo per day
  • Train “Roly Poly” at least once per day, and finish the next dance in the line-up (the one after that also has been decided, but it might take forever till I get to do it)
  • Sew a simple piece of garment

2011 ranking

I forgot to say that in my last posting: Happy new year, my dear readers! Inspired by some of you, here is my ranking for last year: Films which came out in 2010 or 2011 and which I saw in 2011. Onto the list!

1. Copie Conforme
2. The Guard
3. Midnight in Paris
4. True Grit
5. Saranghanda, saranghaji anneunda
6. Tropa de Elite 2
7. The Disappearance of Haruhi Suzumiya
8. Biutiful
9. Hugo
10. Golden Slumber
11. 127 Hours
12. Kung Fu Panda 1 & 2
13. Bridesmaids
14. Black Swan
15. Friends with Benefits
16. Puss in Boots
17. Confessions
18. The Housemaid
19. Les amours imaginaires
20. The Ides of March
21. You will meet a tall dark stranger
22. Toy Story 3
23. Shutter Island
24. Welcome to the Uchuu Show
25. Sleeping Beauty
26. No Strings Attached
27. Solanin
28. Pokémon Movie No. 13: Zoroark Master of Illusions
29. Source Code
30. Legend of the Guardians: The Owls of Ga’Hoole
31. The Borrower Arrietty
32. Thor

1-7 were absolutely brilliant, 8-14 were great, 15-22 were good and the rest was okayish to downright horrible. Unsurprisingly, “Thor” is the only film in the category “downright horrible”, most films I have seen had some merit.

If I did not make a mistake, I did indeed watch 32 films of this year! Thinking about it, that is quite impressive and I probably have not seen so many recent films ever since my early days of movie-watching. Let’s hope next year will be another great year of films as well.

This year’s “12 Days of Christmas”

As you might remember, every once in awhile, I would set up a “one movie per day” goal for a specific amount of days. This year, my last day of “work” is on December 20, making it exactly 12 days all the way up to December 31. Perfect!

Now that Gorp also has published his tentative 2011 ranking, I figured that it would be interesting to see some 2011 (or at least recent films) for these 12 days.

So far I am considering these, in no particular order:
– Another Earth
– Film Socialisme
– The Ides of March
– Copie conforme
– Blue Valentine

– Pina
– Never let me go
– Mildred Pierce

– Melancholia
– Le Havre
– My week with Marilyn
– The King’s Speech
– The day he arrives
– To Die Like a Man
– Tinker Tailor Soldier Spy
– Heartbeats
– Drive
– Meek’s Cutoff
– Winter’s Bone

Other things I have planned for Christmas break:
– Finish Dexter season 5
– Finish ME’s outfit of the day
– Finish watching all the movies I have started but never finished
– Get up-to-date running anime, and finish a few old ones
– Learn to take better pictures
– Lose a good chunk of weight
– Go through the rest of “Roly Poly”
– Make a realistic math books reading plan
– Start and potentially finish a new, simple sewing project

Top 10 among Criterion DVDs

I just posted Criterion’s top 10 lists for some famous people which I thought were interesting, and figured it’d be interesting to list my own. I have seen exactly 110 of them, and so I would have to compile a list of 1/11 of these titles. Let’s see:

1. Night on Earth
2. Jules et Jim
3. M
4. Yi Yi
5. La Haine
6. Make Way for Tomorrow
7. In the Mood for Love
8. Scenes from a marriage
9. People on Sunday
10. The Darjeeling Limited

Oh wow, it was so hard to actually kick out movies out of this list. “The Spirit of the Beehive”, “Life of Brian”, “La Strada”, “The Marriage of Maria Braun”, “The Wages of Fear”, “A woman is a woman”, “8 1/2”, “Trouble in Paradise”, “Wild Strawberries”, “L’Eclisse”, “Kind hearts and coronets”, “Pitfall”, “Paris, Texas”, “Vivre sa vie”, “The night of the hunter”, “12 Angry Men” – there are so many other really really great movies.

Notes:
On 2. I have never seen the movie after the first time years ago. Thinking about it, I might not actually like it anymore. But for the impact it had back then, it is definitely worthy of its second place.
On 9. The movie is actually really boring, and I don’t understand why anybody would want to watch it on a DVD. I think it’s only in a theatre that it reveals its magic.

The Philadelphia Film Festival is coming up

And I will not be going. But, unfortunately (or fortunately?) there are actually quite a bunch of films I want to see.

  • Sleeping Beauty and House of Intolerance, the “disturbing cold erotic brothel” titles of Cannes this year
  • The Artist – a silent film made in 2011?
  • A Dangerous Method – David Cronenberg’s new movie with Keira Knightley and Viggo Mortensen… strange.
  • The day he arrives – I still kind of want to see it
  • Le Havre – Aki Kaurismäki’s new movie, recommended by 314
  • Like Crazy – the opening night film, some… love story I guess? I have a thing for opening night movies XD
  • Melancholia – of course
  • My week with Marilyn – it has Michelle Williams as Marilyn Monroe, somehow that was enough to intrigue me
  • Perfect Sense – I have no idea who David Mackenzie is, but this movie has Eva Green in it and is supposed to be a romantic apocalyptic sci-fi thriller
  • Pina – of course
  • Puss in Boots – About the kitty from “Shrek”, I have to admit that I actually love the “Shrek” franchise, so this is a must
  • Underwater Love – the weirdness of the film (it’s also supposed to be a musical?) cannot describe the degree of interest I have in it
  • Turn me on, damnit – Somehow I have imaginations of “Fucking Amal” here, and the movie is extremely short, perhaps too short?
  • Le gamin au vélo – by the Dardenne brothers

They also show “Barton Fink”, “Battle Royale”, Lars von Trier’s “Europa”, “Naked Lunch”, “The Silence of the Lambs” and other classics. All in all, this (very short) film fest seems to be very focused on American movies, being much much more minor than even, say, the Filmfest in Munich, but surprisingly enough, it’s quite on par if not larger than the New York Film Festival, which shows almost the same movies. The NYFF shows a few other classics, namely some sort of mini-Ghibli special with “Castle in the Sky” and “Spirited Away”, Charlie Chaplin’s “Gold Rush”, “Ben-Hur”, “The Royal Tenenbaums”, but in terms of recent films, it only has one interesting addition to the Philadelphia showings, namely “The Loneliest Planet”, a movie with Gael Garcia Bernal. It is no big surprise that a movie is 20 USD whereas in Philly you get in for 12 huh?